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Оригінал

Membra Jesu Nostri. Dietrich Buxtehude. 2 violins, 2 violas. da gamba. , Basso continuo. II. Ad genua. knees. Complete cantata. CPDL # 18641. Editor. Shigekazu Nimura. submitted 2008-12-23. Score information. A4, 26 pages, 344 kB Copyright. Personal. Edition notes. Concerto Ad ubera portabimini. CPDL # 05543. Capella. Editor. Michael Dreschel. submitted 2003-08-25. Score information. A4, 4 pages, 44 kB Copyright. Personal. Edition notes. Choral parts only. Cappella file is zipped. Voicing. SSATB chorus, SSATB soli. Sacred , Cantata. Language. Latin. SSATB chorus, SSB soli.

Переклад

Membra Jesu Nostri. Дітріх Букстехуде. 2 violins, 2 violas. да гамба. , Бассо континуо. II. Ad genua. knees. Complete cantata. CPDL # 18641. Редактор. Shigekazu Nimura. submitted 2008-12-23. Оцінка інформації. A4, 26 pages, 344 kB Copyright. Особистий. Зазначає видання. Concerto Ad ubera portabimini. CPDL # 05543. Капела. Редактор. Michael Dreschel. submitted 2003-08-25. Оцінка інформації. A4, 4 pages, 44 kB Copyright. Особистий. Зазначає видання. Choral parts only. Cappella file is zipped. Voicing. SSATB chorus, SSATB soli. Священний, Кантата. Мова. Latin. SSATB chorus, SSB soli.

Оригінал

This is a cycle of seven cantatas, and dedicated to Gustaf Düben. The text, Salve mundi salutare is a poem written by Arnulf of Louvain. died 1250. Each of the seven parts pertains to a different part of the crucified Christ's body. feet, knees, hands, side, chest, heart, and head. The structure of each cantata follows the same form. Sonata. Concerto. chorus. Aria. Aria. Aria. Concerto. chorus. In all but the last cantata, the final concerto chorus is simply a repeat of the first chorus. in the seventh cantata, an Amen chorus is subsituted. The "arias" are actually solos, trios, or quintets.

Переклад

This is a cycle of seven cantatas, and dedicated to Gustaf Düben. The text, Salve mundi salutare is a poem written by Arnulf of Louvain. died 1250. Each of the seven parts pertains to a different part of the crucified Christ's body. feet, knees, hands, side, chest, heart, and head. The structure of each cantata follows the same form. Соната. Концерт. chorus. Повітря. Повітря. Повітря. Концерт. chorus. In all but the last cantata, the final concerto chorus is simply a repeat of the first chorus. in the seventh cantata, an Amen chorus is subsituted. The "arias" are actually solos, trios, or quintets.