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Streichquartett No. 4. Bohuslav Martinu. Cello sheet music. Viola sheet music. Violin sheet music.

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Струнний квартет No. 4. Богуслав Мартіну. Віолончель: ноти. Віола ноти. Скрипка ноти.

Оригінал

Streichquartett No. 4 composed by Bohuslav Martinu. 1890-1959. Arranged by Ivan Straus. Ales Brezina. For string quartet. 2 violins, viola, cello. Chamber music. Czech title. Smy covy kvartet 4. Classical. Study score. Publication language. Czech. German. English. French. No. 4. Published by Editio Baerenreiter Praha. PA.H7844. ISBN 9790260100763. With Publication language. Czech. German. English. French. Classical. 22.5 x 16.7 cm inches. String Quartet No. 4 by Bohuslav Martinu. 1890-1959. originated in 1937 in Paris where it was also premiered in a private performance one year later. Due to the composer's emigration to the U.S.A. and the post-war political development in Czechoslovakia, the piece remained for many years in oblivion in the archive of the Puc family to whom Martinu dedicated it. It was re-discovered as late as in 1956 by Martinu's friend and a keen promoter of his work Milos Safranek. Four years later the quartet was performed in public by the Novak Quartet in a concert in Germany. The main sources for the presented practical edition of this neo-classicistic composition, in which Martinu typically combined French moderateness with Czech melodiousness, were the autograph and the 1963 edition by SHV, thoroughly freed of all the unwanted previous editorial revisions.

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Streichquartett № 4 складається з Богуслава Мартіну. 1890-1959. Обробка Івана Штрауса. Алесь Brezina. Для струнного квартету. 2 скрипки, альт, віолончель. Камерна музика. Чеський назву. Smy covy квартет 4. Класичний. Оцінка Вивчення. Мова публікації. Чеський. Німецький. Англійська. Французький. № 4. Опубліковано Editio Baerenreiter Praha. PA.H7844. ISBN 9790260100763. З мови публікації. Чеський. Німецький. Англійська. Французький. Класичний. 22,5 х 16,7 см дюймів. String Quartet No. 4 by Bohuslav Martinu. 1890-1959. originated in 1937 in Paris where it was also premiered in a private performance one year later. Due to the composer's emigration to the U.S.A. and the post-war political development in Czechoslovakia, the piece remained for many years in oblivion in the archive of the Puc family to whom Martinu dedicated it. It was re-discovered as late as in 1956 by Martinu's friend and a keen promoter of his work Milos Safranek. Four years later the quartet was performed in public by the Novak Quartet in a concert in Germany. The main sources for the presented practical edition of this neo-classicistic composition, in which Martinu typically combined French moderateness with Czech melodiousness, were the autograph and the 1963 edition by SHV, thoroughly freed of all the unwanted previous editorial revisions.