Ноти $13.95

Оригінал

Marianische Fantasien I - III op. 87d. Bertold Hummel. Bass Clarinet sheet music. Bassoon sheet music.

Переклад

Marianische Fantasien I - III оп. 87d. Бертольд Hummel. Бас-кларнет ноти. Фагот: ноти.

Оригінал

Marianische Fantasien I - III op. 87d composed by Bertold Hummel. 1925-2002. For basset horn. or bass clarinet or bassoon. solo. This edition. ED 20026. Saddle-stitch. Brass. Wind Music. Grade 5. Composed 1990. 20 pages. Duration 10 minutes. Published by Schott Music. SD.49015983. ISBN 9790001144728. Hummel wrote three versions of the four-minute fantasias. the original version for basset horn as well as versions for solo bass clarinet and solo bassoon. The most effective version undoubtedly is the version for basset horn with its mystically transfigured sound which even Mozart had used for the musical reference to the world to come. Each of the three fantasias begins with a Gregorian song in praise of the Virgin Mary followed by an elaborate fantasia on this tune. Thus, Hummel bridges the period from the 17th century to the present time, from the old-fashioned religious melody to 20th-century music. 'Marianische Fantasien' are pieces of moderate difficulty, yet full of charming beauty. They will enthuse the audience both in the concert hall and in church. I Ave Maria. II Salve Regina. III Regina coeli.

Переклад

Marianische Fantasien I - III оп. 87d composed by Bertold Hummel. 1925-2002. Для бассетгорн. або бас-кларнет або фагот. тільки. Це видання. ED 20026. Сідло хрестом. Латунь. Вітер Музика. Оцінка 5. Складається 1990. 20 сторінок. Тривалість 10 хвилин. Видавець Schott Music. SD.49015983. ISBN 9790001144728. Hummel wrote three versions of the four-minute fantasias. the original version for basset horn as well as versions for solo bass clarinet and solo bassoon. The most effective version undoubtedly is the version for basset horn with its mystically transfigured sound which even Mozart had used for the musical reference to the world to come. Each of the three fantasias begins with a Gregorian song in praise of the Virgin Mary followed by an elaborate fantasia on this tune. Thus, Hummel bridges the period from the 17th century to the present time, from the old-fashioned religious melody to 20th-century music. 'Marianische Fantasien' are pieces of moderate difficulty, yet full of charming beauty. They will enthuse the audience both in the concert hall and in church. I Ave Maria. II Salve Regina. III Regina coeli.